Kosmorama #275: Bergman, Visconti og Östlund

With this issue of Kosmorama, we go back to the roots of this journal, back to the auteur criticism of the 1950s, when Kosmorama was young. The focus is on the auteur theory and Bergman’s signature staging of scenes of dialogue and on Ruben Östlund’s worldview in ‘The Square’

Kosmorama #275

Johannes Riis analyses Bergman’s way of staging scenes of dialogue:

Se mere:

Notes on Ingmar Bergman’s Stylistic Development and Technique for Staging Dialogue

Elefterios Makedonas Elefterios Makedonas philosophises on Östlund’s critique of Western ‘civilization’:

Se mere:

Mocking the ‘Civilized’ Viewer-chimpanzee – Ruben Östlund’s 'The Square'

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