Jakob Ion Wille og Maria Mackinney-Valentin

The Dreyer Paratext

13. dec 2024. The filmmaker Carl Th. Dreyer believed that it was best for films to have no credit titles at all: they got in the way of the audience’s immersion in the story. This article discusses Dreyer’s claim…

The 'Skimmel' of the Film: The haptic, the lively and the discrete in the animated films of Bent Barfod

19. sep 2024. Bent Barfod (1920-2007) was a leading figure in Danish animation. His studio, Bent Barfod Film, trained at least two generations of animators and Barfod himself sustained a long career as a filmmaker…

Prevalence Rather than Popularity? A case study of wartime film programming in Southern Norway

16. maj 2024. This article reflects critically on the use of film programmes as a historical source to understand local screening contexts and cinemagoers’ preferences in a medium sized city and a nearby town in…

The Portal and the Screen – Icelandic National Identity and Foreign Cinema as Contagion

16. maj 2024. PEER REVIEWED. This paper explores how cinemas in Reykjavík became portals between foreign and local cultures, infusing Icelandic society with exotic influences in the first half of the 20th century…